There is a line in the movie, which if you've seen a preview you've already seen, about the autobots being really advanced robots -- Japanese models. No laughter in the Japanese theatre. In the US, having seen it twice, I can say there was a lot more laughter -- both in that part of the movie as well as other spots. Alas, not here.
Seating was interesting -- assigned seats and you get to pick them with the counter agent when you buy your ticket. Wow.
After leaving and heading back to Kyoto, Spencer went off to work and I found my way to two shrines. One of them was fairly large where I watched a woman make the rounds to the little stops in the courtyard. I thought it would be interesting to model how she did the ritual, so I did, to a degree. Mom asked me to light incense at a shrine -- partly joking I'm sure -- to
help them sell their house in New York so they can move to their new home. So I did.
Meanwhile, the whole while, I was listening to Seal's song, "Love's Divine" inspiring various thoughts about my own transformation, self perception, molting, emersion... My own divinity.
I replayed the song and danced in the shrine, offering myself to the divine at the temple, realizing that if I'm not here on this planet to dance, I'm not actually sure what I am here for.
I cried, released, expressed, emoted, and in the process, found myself experiencing a wonderful new connection to mySelf. Returning to Spencer's and reconnecting with him later -- how grateful am I he is my teacher as well (a Reverend) -- I noticed how I felt myself coming into balance in the shrine, allowing myself to release the stresses and tensions of months of
pressure, mishap and challenge around PoiGeek and the Temple, around not taking as much care of my body as I will moving forward, about the imbalance of the speed of my mind and slowness of my body... About how inspired I was to get my bicycle fixed now that I live and work in easy biking distance from each other.
Ah, the gift of Being in the Muck of things.
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